CBDiabla
I saw Lori Goldston perform this live while watching the film. Joan of Arc's fear, uncertainty, and faith were enhanced by the score, which slowly rose in tension. Amazing cello performance.
If you are going to watch the film, this score is absolutely recommended.
As a follow up to her work inspired by contemporary and historical films with her collection of non-oficial and interpretative scores entitled: “Film Scores” (first published in 2013 by the Belgian label Sub Rosa); Lori Goldston returns with a brand new musical interpretation of the celluloid; this time, inspired by: “The Passion of Joan of Arc”, the legendary 1928 silent film, directed by Carl Theodor Dreyer, about the condemnation and punishment of the young french martyr -and feminist icon- Saint Joan of Arc.
Lori Goldston, the renowned American cellist from Seattle, best know for playing in some of the most visible rock acts from Seattle as: Earth, Nirvana, The Black Cat Orchestra, brings us a new jewel of contemporary and alt-classical music at it’s untamed and organic side; this time accompanied by two of the most notable artists in avant-garde music worldwide: The ambient/experimental music guitarist: Aidan Baker, and the percussionist, drummer and Italian sound artist: Andrea Belfi.
The Passion of Joan of Arc is an album that evolves slowly letting glimpse small variations, while growing in intensity to reach a strong climax, transiting through the sonorities of experimental chamber music, alt-classical, minimalism, free-improv and ambient music with a special organic feel. An album recorded live at the Christuskirche in Bochum, Germany, an evangelist church from the XIX century, capturing the natural reverb of the place .
With an evolving improvisational composition they give us an extremely organic work, full of variations, textures and nuances, taking the expression to the limit, introjecting and projecting in a liminal way, looking to create a sound space of acoustic images.
Substrata proudly presents a special and limited edition digipack.
The album was recorded at the Christuskirche, an XIX century curch in Bochum, Germany and is edited, mixed and mastered by the renowned sound engineer: Mell Dettmer (The Melvins, Sunn O)), Godflesh, Earth, Boris, Stephen O ‘Malley, Eyvind Kang, John Zorn, Jessica Kenney, Wolves in The Throne Room among others.)
The cover artwork is a painting: An abstract interpretation (and a layering) of some scenes of the film “The Passion of Joan of Arch”, made by the Mexican visual artist: Mariana Ortizalbo.
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Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
As a follow up to her work inspired by contemporary and historical films with her collection of non-oficial and interpretative scores entitled: “Film Scores” (first published in 2013 by the Belgian label Sub Rosa); Lori Goldston returns with a brand new musical interpretation of the celluloid; this time, inspired by: “The Passion of Joan of Arc”, the legendary 1928 silent film, directed by Carl Theodor Dreyer, about the condemnation and punishment of the young french martyr -and feminist icon- Saint Joan of Arc.
Lori Goldston, the renowned American cellist from Seattle, best know for playing in some of the most visible rock acts from Seattle as: Earth, Nirvana, The Black Cat Orchestra, brings us a new jewel of contemporary and alt-classical music at it’s untamed and organic side; this time accompanied by two of the most notable artists in avant-garde music worldwide: The ambient/experimental music guitarist: Aidan Baker, and the percussionist, drummer and Italian sound artist: Andrea Belfi.
The Passion of Joan of Arc is an album that evolves slowly letting glimpse small variations, while growing in intensity to reach a strong climax, transiting through the sonorities of experimental chamber music, alt-classical, minimalism, free-improv and ambient music with a special organic feel. An album recorded live at the Christuskirche in Bochum, Germany, an evangelist church from the XIX century, capturing the natural reverb of the place .
With an evolving improvisational composition they give us an extremely organic work, full of variations, textures and nuances, taking the expression to the limit, introjecting and projecting in a liminal way, looking to create a sound space of acoustic images.
Substrata proudly presents a special and limited edition digipack.
The album was recorded at the Christuskirche, an XIX century curch in Bochum, Germany and is edited, mixed and mastered by the renowned sound engineer: Mell Dettmer (The Melvins, Sunn O)), Godflesh, Earth, Boris, Stephen O ‘Malley, Eyvind Kang, John Zorn, Jessica Kenney, Wolves in The Throne Room among others.)
The cover artwork is a painting: An abstract interpretation (and a layering) of some scenes of the film “The Passion of Joan of Arch”, made by the Mexican visual artist: Mariana Ortizalbo.
credits
released November 10, 2018
Composed and performed by: Lori Goldston
Guest Musicians:
Aidan Baker (Electric Guitar)
Andrea Belfi (Drums and Percussion)
Recorded at: Christuskirche, Bochum, Germany by Christoph Scheidel
Edited and mixed by Mell Dettmer
Mastered by Mell Dettmer
Cover and Layout by Mariana Ortizalbo
supported by 7 fans who also own “The Passion of Joan of Arc”
For almost 25 years, I have been listening to early Celluloid Mata, Imminent Starvation, Esplendor Geometrico, and many who tiptoe around this territory, including myself, but this project is beyond my imagination. Incredible. TARANTULA FACE
supported by 7 fans who also own “The Passion of Joan of Arc”
In Your Eyes ezine: I due avevano già in mente di tornare a collaborare insieme facendo un disco che potesse contenere la loro passione verso la musica anni ottanta, quella con cui sono cresciuti e con la quale hanno capito che il suono sarebbe stato il loro futuro.
continua su: https://www.iyezine.com/loud-as-giants-empty-homes In Your Eyes ezine
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